{"id":168,"date":"2026-05-22T12:37:00","date_gmt":"2026-05-22T12:37:00","guid":{"rendered":"https:\/\/cambridgemovinghub.com\/?p=168"},"modified":"2026-05-22T12:37:00","modified_gmt":"2026-05-22T12:37:00","slug":"drones-staches-space-opera-fashion","status":"publish","type":"post","link":"https:\/\/cambridgemovinghub.com\/?p=168","title":{"rendered":"Drones, staches &#038; space opera fashion"},"content":{"rendered":"<div>\n<h2>\u201c<strong>I Love Boosters\u201d<\/strong><\/h2>\n<div>\n<p><span>\u2b50<\/span><span>\u2b50<\/span><span>\u2b50<\/span><span>\u2b50<\/span><\/p>\n<p><span><span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><br \/>\n<span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><\/span><span><span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><br \/>\n<span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><\/span><span><span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><br \/>\n<span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><\/span><span><span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><br \/>\n<span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><\/span><span>Rating: 3.5 out of 4.<\/span><\/div>\n<p>Rapper-turned-director Boots Riley burst onto the movie scene in 2018 with \u201cSorry to Bother You,\u201d a dystopian comedy about a call-center drone who uncovers a Silicon Valley plot to create a race of \u201cequisapiens\u201d \u2014- horse-human hybrids to displace the labor force. The wildly inventive \u201cI Love Boosters\u201d makes that film look positively mundane. Inspired by a 2006 song of the same name by Riley\u2019s hip-hop group The Coup, the film stars Keke Palmer, Naomi Ackie, and Taylour Paige as a trio of \u201cboosters,\u201d thieves who lift clothes from high-end boutiques and resell them for discount prices. They describe their philosophy as \u201cTriple-F: Fashion Forward Philanthropy.\u201d (\u201cI know how to spell \u2018philanthropy,&#8217;\u201d Paige clarifies. \u201cBranding, though.\u201d) Their chief nemesis is Christie Smith (Demi Moore), a fashion CEO and visionary who\u2019s a cross between Miranda Priestly, Steve Jobs and Nosferatu. When Smith cracks down on the boosters, our heroines plot to get even, first by stealing the entire inventory from all of Smith\u2019s stores, then by making a fool of her at her own spring fashion show.<\/p>\n<p>Read more <a href=\"https:\/\/cambridgemovinghub.com\/?p=166\">Accolades and achievements<\/a><\/p>\n<p>Other significant plot elements include quantum physics, a workers\u2019 revolt in China, an all-purpose sci-fi device worthy of Douglas Adams and a sad-eyed lothario (\u201cSorry\u201d star LaKeith Stanfield) who may or may not be a thousand-year-old soul-sucking demon. The film is as stuffed and as outrageous as its characters\u2019 closets, each frame filled with more sight gags than a MAD Magazine splash page. \u201cBoosters\u201d is the most dizzying and intoxicating comedy of the year, drawing on everything from Jean-Luc Godard and William Klein to Looney Tunes and Jerry Lewis (in a post-film Q&amp;A at IFFBoston, Riley cited Lewis\u2019s \u201cCinderfella\u201d (1960) as a major influence). The sensory overload at times borders on the exhausting. As for the jokes, if \u00a0one gag doesn\u2019t work there\u2019s another five around the corner.<\/p>\n<p>What makes \u201cBoosters\u201d so special isn\u2019t just its ideas, but the craft with which they\u2019ve been assembled. Where a less ambitious filmmaker might rely on weightless CGI to simulate whimsy, everything here is handmade, from the jaw-dropping costumes by \u201cEverything Everywhere All At Once\u201d (2022) designer Shirley Kurata to the occasional creature rendered in latex or stop-motion. Even the climactic car chase is realized via miniature cars and sets worthy of a classic Godzilla film. Boots Riley is one of the most unique filmmakers working today, and \u201cBoosters\u201d might be his best yet. <strong>\u2014 Oscar Goff<\/strong><\/p>\n<p><strong><em>Playing at the <\/em><\/strong><em><strong>Somerville Theatre<\/strong><\/em><strong><em>, <\/em><\/strong><em><strong>Kendall Square Cinema<\/strong><\/em><strong><em>, and <\/em><\/strong><em><strong>AMC Assembly Row 12<\/strong><\/em><\/p>\n<h2><strong>\u201cStar Wars: The Mandalorian and Grogu\u201d<\/strong><\/h2>\n<div>\n<p><span>\u2b50<\/span><span>\u2b50<\/span><\/p>\n<p><span><span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><br \/>\n<span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><\/span><span><span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><br \/>\n<span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><\/span><span><span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><br \/>\n<span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><\/span><span><span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><br \/>\n<span><br \/>\n<svg>\n<\/svg><br \/>\n<\/span><\/span><span>Rating: 2 out of 4.<\/span><\/div>\n<p>It speaks to the strange state of cinema in 2026 that the first \u201cStar Wars\u201d film in six years is a glorified TV episode. \u201cThe Mandalorian and Grogu\u201d picks up after the events of the Disney+ series of (almost) the same name, but don\u2019t worry if you bailed after season two \u2014 it\u2019s blessedly light on lore. Pedro Pascal returns as armored Mandalorian bounty hunter Din Djarin, as does Grogu, the adorable puppet more popularly known as \u201cBaby Yoda.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/cambridgemovinghub.com\/?p=164\">Reunite with some classic films<\/a><\/p>\n<p>Mando has taken up as a freelancer tracking down ex-Imperial officers and other fugitives. His latest assignment is to find and rescue Rotta the Hutt (voiced by Jeremy Allan White), the strangely buff son of wormlike crime lord Jabba. Rotta has been forced into life as a gladiator on a seedy, urban planet (also present: a four-armed informant voiced by Martin Scorsese!). Upon arrival, however, Mando realizes that the story is more complicated than the Hutt\u2019s relations had let on, and soon the bounty hunter becomes the hunted.<\/p>\n<p>The classic \u201cStar Wars\u201d films were a cut above the typical blockbuster, closer to mythology than popcorn fare. The appeal of \u201cThe Mandalorian\u201d series, meanwhile, lay in its relatively low stakes, feeling like a cross between a TV Western and a game of mismatched action figures.\u00a0 \u201cGrogu\u201d lies in between in construct but isn\u2019t up to either in narrative terms. The widescreen theatrics sacrifice the low-key charms which made the show a streaming delight. A season\u2019s worth of set pieces are crammed into a two-plus hour frame. At the same time, the whole thing feels chintzier than we\u2019ve come to expect from a theatrical \u201cStar Wars\u201d feature, with wobbly effects that might look better on a tablet than an IMAX screen. One almost suspects it was made as a streaming special, then shunted to cinemas to fill an empty release slot.<\/p>\n<p>Taken on its own terms, \u201cGrogu\u201d is a serviceable space opera. Pascal is a perfectly stoic lead, though we only see his face for one scene (why the constantly masked Mandalorian sports a perfectly groomed mustache remains a mystery of the Force). The creature designs, particularly a pair of mechanical guards rendered in stop motion, are inventive, and Grogu is as adorable as always. Yet the film can\u2019t escape that sense of disposability \u2014 it feels more a product than cinema. A new \u201cStar Wars\u201d film used to be an event. That was a long time ago, in a galaxy far, far away. \u2014 Oscar Goff<\/p>\n<p><strong><em>Playing at <\/em><\/strong><strong><em>Kendall Square Cinema<\/em><\/strong><strong><em>, <\/em><\/strong><strong><em>Apple Cinemas Cambridge<\/em><\/strong><strong><em>, and <\/em><\/strong><strong><em>AMC Assembly Row 12<\/em><\/strong><\/p>\n<p>Read more <a href=\"https:\/\/cambridgemovinghub.com\/?p=162\">Community foundation gives grants to over 150 Cambridge nonprofits<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI Love Boosters\u201d \u2b50\u2b50\u2b50\u2b50 Rating: 3.5 out of 4. Rapper-turned-director Boots Riley burst onto the movie scene in 2018 with \u201cSorry to Bother You,\u201d a dystopian comedy about a call-center drone who uncovers a Silicon Valley plot to create a race of \u201cequisapiens\u201d \u2014- horse-human hybrids to displace the labor force. The wildly inventive \u201cI [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":167,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[49,100,62],"class_list":["post-168","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-entertainment","tag-films","tag-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Drones, staches &amp; space opera fashion - Cambridge Moving Hub<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cambridgemovinghub.com\/?p=168\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drones, staches &amp; space opera fashion - Cambridge Moving Hub\" \/>\n<meta property=\"og:description\" content=\"\u201cI Love Boosters\u201d \u2b50\u2b50\u2b50\u2b50 Rating: 3.5 out of 4. Rapper-turned-director Boots Riley burst onto the movie scene in 2018 with \u201cSorry to Bother You,\u201d a dystopian comedy about a call-center drone who uncovers a Silicon Valley plot to create a race of \u201cequisapiens\u201d \u2014- horse-human hybrids to displace the labor force. 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